Architect@Work edition Rotterdam, September 9 and 10, 2026

Participants & products:

  1. Barend Bootsma, Fungi Figures – sculptural mycelium objects
  2. BioPanel, Biobased Door Panel
  3. Cirq Wood, Reuse wood and thermally modified coniferous wood with biological fire retardancy
  4. Crush-on-Nature, Recycle floral glass panels in reused frame wood
  5. Hembased, vegetable colored, palm leaf filament for 3D print
  6. LinFin, Sculptural table lamps - fine design - from Biopanel
  7. LOADS Collection, S 33. Designed by Mart Stam in 1926 covered with Dutch wool, biodynamic cotton and vegetable dyes.
  8. Orange Elephants, compact Building Model of roof and wall based on miscanthus with red loam from the Peel.
  9. SAM Panels, various collection of constructive and decorative sheet material.
  10. Why Knot Foundation, premium table top made of invasive Japanese Button on classic Vitra base


Compiler of the Expo:
WDH-NL/SuperBio's, Wilma Dijkgraaf-Hofmeijer

Barend Bootsma

Crush on Nature brings wild plants into glass walls, panels and furniture objects. The large collages of wild plants create a fine environment: they filter cans and have proven to be soothing.

But there is a deeper goal. In this new context, a different appreciation for what we typically call "weeds" is emerging. My mission is to broaden the field of view and really get to know the plants with whom we share our living environment.

I collect the wild plants on roadsides and along the ports around the studio in Rotterdam. For a project I prefer to look for the plants near the location. This is how the interior reflects the environment.

 In 1991 in the Australian desert, an Aboriginal woman asked me an intriguing question: "What are you listening to at home?" She wasn't referring to music. "During the day I listen to the crickets. At night to the frogs." Her words exposed the core: we have lost the connection with our direct biotope. Since then, as a designer, I challenge myself and others not to see the nature around us as a backdrop, but as an essential part of our daily existence.

The collages are placed in the space between acoustic glass walls or as separate wall panels. I work for the individual panels with pre-used glass
The plants are dried and will discolour in the first year, then they will keep their beautiful light shades. They don't decay, they turn into a timeless, lasting interior element that will last for years.

Contact details on superbios.nl:

Crush-on-Nature




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